• Automatic flamenco singing transcription
  • Intra-style melodic similarity
  • Ancestral tree
  • Metric structure
  • Tutorial @ ISMIR 2015

Publications

In press

  • Oramas, S., Gómez F., Gómez E., & Mora J. (2015). FlaBase: Towards the Creation of a Flamenco Music Knowledge Base. 16th International Society for Music Information Retrieval Conference.
  • N. Kroher, A. Chaachoo, J.M. Díaz-Báñez, E. Gómez, F. Gómez-Martín, J. Mora and M. Sordo (In Press). Computational ethnomusicology: a study of flamenco and Arab-Andalusian vocal music. Handbook for Systematic Musicology. Springer, 2015.

  • 2015

  • Kroher, N., Pikrakis A., Moreno J., & Díaz-Báñez J. M. (2015). Discovery of Repeated Vocal Patterns in Polyphonic Audio: a Case Study on Flamenco Music. European Signal Processing Conference (EUSIPCO).
  • N. Kroher, Cante reciclado. Musical work. International Society of Music Information Retrieval Conference (ISMIR), 2015.
  • Kroher, N. (2015). Automatic transcription of flamenco singing. Doctoral Student Workshop, Department of Information and Communication Technologies, Universitat Pompeu Fabra, Barcelona, March 20th.
  • L. E. Caraballo, J. M. Díaz-Báñez, E. Pérez-Castillo (2015), Finding Unknown Nodes in Phylogenetic Graphs, F. Ortuño and I. Rojas (Eds.): IWBBIO 2015, Part I, LNCS 9043, pp. 403-414.
  • Díaz-Báñez et al. (2015) Extremal antipodal polygons and polytopes. Graphs & Combinatorics, to appear.
  • Díaz-Báñez et al. (2015) New results on stabbing segments with a polygon. Computational Geometry, 48(1), 14-29.
  • L. Barba, L.E. Caraballo, J. M. Díaz-Báñez, R. Fabila-Monroy, E. Pérez-Castillo: "Asymmetric polygons with maximum area"

  • 2014

  • Díaz-Báñez, J.M., Rizo, J. C.: An efficient DTW-based approach for melodic similarity in flamenco singing. Lecture Notes in Computer Science. Vol. 8821. pp. 289–300, (ISBN 978-3-319-11987-8), Springer, 2014.
  • Gómez, F., Díaz-Báñez, J. M., Mora, J., Gómez, E. La música flamenca y su estudio computacional - I. Revista en línea Divulgamat. Abril de 2014.
  • Gómez, F., Díaz-Báñez, J. M., Mora, J., Gómez, E. La música flamenca y su estudio computacional - II. Revista en línea Divulgamat. Mayo de 2014.
  • Kroher, N., Gómez E., Guastavino, C., Bonada, J., Gómez, P. (2014) Computational models for perceived melodic similarity in a cappella flamenco cantes,15th International Society for Music Information Retrieval Conference, Taipei, Taiwan, October 2014.
  • Kroher, N., & Gómez E. (2014).Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors.
  • Kroher, N., Gómez E. Improving accompanied Flamenco singing voice transcription by combining vocal detection and predominant melody extraction. 11th Sound and Music Computing Conference.
  • Gómez-Martín, F., Díaz-Báñez J. M., Gómez E., Mora J. (2014) Flamenco music and its computational study. BRIDGES: Mathematical Connections in Art, Music, and Science., Seoul, Korea.
  • Díaz-Báñez, J. M., Rizo, J.C. (2014), An efficient DTW-based approach for melodic  similarity in flamenco singing, Lecture Notes in Computer Science, Springer (SISAP 2014).
  • Kroher, N., Gómez E., Sordo M., Gómez-Martín F., Díaz-Báñez J. - M., Mora J. , et al. (2014) Computational ethnomusicology: a study of flamenco and Arab-Andalusian vocal music 4th International Workshop On Folk Music Analysis.
  • Tizón, M., Gómez F., Oramas S., (2014). Does Always the Phrygian Mode Elicit Responses of Negative Valence? 4th International Workshop on Folk Music Analysis (FMA).
  • Gutiérrez-Cordero, R. La didáctica del flamenco y su multidisciplinariedad en el proyecto COFLA. Identidades culturales: educación, artes y humanidades. Actas del XIII SIEMAI - Simposio Internacional de Educación de Música y Artes Interculturales, Universidad de Granada en Ceuta, Mayo 2014. ISBN: 978-989-8486-13-4.
  • Rizo-Massia, J. C., Un algoritmo eficiente para similitud melódica en los cantes flamencos, Final project, industrial engineering, January 2014.
  • Salamon, J., Gómez E., Ellis D. P. W., & Richard G. (2014).  Melody Extraction from Polyphonic Music Signals: Approaches, Applications and Challenges. IEEE Signal Processing Magazine, 31(2), 118-134..
  • Zapata, J. R., Davies M. E. P., Gómez E. (2014), Multi-feature beat tracking. IEEE/ACM Transactions on Audio, Speech, and Language Processing. 22(4), 816 - 825 .

  • 2013

  • Diaz-Báñez, J.M., Gutiérrez-Cordero, R. COFLA: Un ejemplo de investigación interdisciplinar. En Musicología global, musicología local. Marín-López, J., Gan-Quesada, G., Torres-Clemente, E., Ramos-López, P. (Eds.) Sociedad Española de Musicología, pp. 881--896, 2013.
  • Tizón, M., Gómez, F., Oramas, S. Perceived emotion in Phrygian mode in musically trained children. Proceedings of the Third International Conference on Music and Emotion. Finland. June 11th-15th, 2013.
  • J. M. Díaz-Báñez , On math problems in the study of flamenco singing (in Spanish). La Gaceta de la Real Sociedad Matemática Española, vol 13, 3, 513-541, 2013.
  • O. Aichholzer, I.E. Caraballo, J.M. Díaz-Báñez, R. Fabila-Monroy, C. Ochoa and P. Nigsch. Extremal antipodal polygons and polytopes. Proc. Mexican Conference on Discrete Mathematics and Computational Geometry, Oaxaca, Mexico November 11-15, 2013.
  • J.M. Díaz-Báñez, M. Korman, P. Pérez-Lantero, A. Pilz, C. Seara, R.I. Silvera. New results on stabbing segments with a polygon. Algorithms and Complexity, Lecture Notes in Computer Science, Volume 7878, 2013, pp 146-157 (8th International Conference on Algorithms and Complexity CIAC 2013),(ISBN 978-3-642-38232-1)
  • I. Marqués Donaire, J. M. Díaz-Báñez, El fandango de Huelva en El Traslado de la Virgen del Rocío: un estudio etnomusicológico. Actas del IV Congreso Interdisciplinar INVESTIGACIÓN Y FLAMENCO-INFLA, 2013.
  • I. Morales Peinado, J. M. Díaz-Báñez, Aspectos evolutivos de la guitarra flamenca en relación con el cante. Actas del IV Congreso Interdisciplinar INVESTIGACIÓN Y FLAMENCO-INFLA, 2013.
  • J. C. Rizo-Massia, José M. Díaz-Báñez  Un algoritmo eficiente para estudiar la similitud melódica de los cantes flamencos. Actas del IV Congreso Interdisciplinar INVESTIGACIÓN Y FLAMENCO-INFLA, 2013.
  • López-Gómez, C., (2013) Criterios para la transcripción manual de la colección de tonás.
  • Kroher, N., Gómez E., Ramírez R. (2013). Caracterización automática del cante flamenco a base de análisis de grabaciones.. Investigación y Flamenco (INFLA).
  • Gómez, E., Herrera P., & Gómez-Martín F. (2013).  Computational Ethnomusicology: perspectives and challenges. Journal of New Music Research. 42(2), 111-112.
  • Gómez, E., & Bonada J. (2013).  Towards Computer-Assisted Flamenco Transcription: An Experimental Comparison of Automatic Transcription Algorithms As Applied to A Cappella Singing. Computer Music Journal. 37(2), 73-90.
  • Kroher, N. (2013).  Automatic Characterization of Flamenco Singing by Analyzing Audio Recordings. Master thesis, Master Program in Sound and Music Computing, Universitat Pompeu Fabra.

  • 2012

  • Oramas, S., Cornelis, O. (2012). Past, Present and Future in Ethnomusicology: The Computational challenge, ISMIR late breaking demo session, 13th International Society of Music Information Retrieval (ISMIR 2012).
  • Díaz-Báñez J. M. et al. (2012), Análisis Computacional de la Música Flamenca. LIBRO BLANCO DEL FLAMENCO. Conserjería de Cultura y Deporte. Junta de Andalucía.
  • Diaz-Báñez, J.M., Gutiérrez-Cordero, R., (2012). COFLA: Un ejemplo de investigación interdisciplinar. VIII Congreso de la Sociedad Española de Musicología, Logroño, Septiembre, 2012.
  • Pikrakis, A., Gómez F., Oramas S., Báñez J. M. D., Mora J., et. al. (2012) Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. 13th International Society for Music Information Retrieval Conference (ISMIR 2012).
  • Gómez, E., Cañadas F., Salamon J., Bonada J., Vera P., Cabañas P. (2012) Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing. 13th International Society for Music Information Retrieval Conference (ISMIR 2012).
  • Gómez, E., Guastavino C., Gómez F., Bonada J. (2012) Analyzing Melodic Similarity Judgements in Flamenco a Cappella Singing. International Conference on Music Perception and Cognition.
  • Díaz-Báñez, J. M. (2012). Matemáticas y Flamenco. I Jornadas de Divulgación Científica y Artística, Salas, Oviedo, 11-06-2012.
  • Díaz-Báñez, J. M., Escobar-Borrego, F.J., Ventura, I. (Eds.) (2012). Boundaries between Genres: Flamenco and Other Musical Oral Traditions, ISBN 978-84-695-3211-9.
  • Gómez, F., Pikrakis A., Mora J., Diaz-Bañez J. M., Gómez E., Escobar F. et. al. (2012) Automatic Detection of Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA).
  • Gómez, E., Bonada J., Salamon J. (2012), Automatic Transcription of Flamenco Singing from Monophonic and Polyphonic Music Recordings. III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA).
  • Salamon, J., Rocha B., Gómez E. (2012) Musical Genre Classification using Melody Features Extracted from Polyphonic Music Signals. IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).

  • 2011

  • Gómez, E., Pikrakis, A., Mora, J., Díaz-Bañez, J.M., Gómez, E. (2011). Automatic Detection of Ornamentation in Flamenco Music. 4th International Workshop on Machine Learning and Music: Learning from Musical Structure, Granada, Spain, December 2011.
  • Gómez, E., (2011) Integrating Different Knowledge Sources for the Computational Modeling of Flamenco Music. Dagstuhl Seminar 11041 in Multimodal Music Processing. 1(1), 15.
  • J.M. Díaz-Báñez, F.J. Escobar-Borrego, Investigación y Flamenco (in Spanish), Signatura Ediciones, ISBN 978-8496210-90-5, 2011.

  • 2010

  • Díaz-Báñez J. M., F. J. Escobar-Borrego (2012) La modulación tonal en las formas musicales del Flamenco: propiedades de preferencia e hibridación armónica. Revista de Investigación Musical: Territorios para el Arte. ISSN 1889-1713, 261-266.
  • Mora, J., Gomez, F., Gómez, E., Escobar-Borrego, F.J., Diaz-Bañez, J.M. (2010) Melodic Characterization and Similarity in A Cappella Flamenco Cantes, 11th International Society for Music Information Retrieval Conference (ISMIR 2010).

  • 2009

  • Guastavino, C., Gómez, F., Toussaint, G., Marandola, F., Gómez, E. (2009) Measuring Similarity between Flamenco Rhythmic Patterns. Journal of New Music Research. 38(2), 129-138.
  • Cabrera, J.J., Díaz-Báñez, J.M., Escobar, F.J., Gómez, E., Gómez, F., Mora, J. Aproximación interdisciplinar al análisis melódico de los cantes a capella,  I Congreso Interdisciplinar Investigación y Flamenco, Sevilla 2009.
  • Escobar, P. (2009). A Contratiempo. Musical work.

  • 2008

  • Gómez, E., Bonada, J. (2008). Automatic Melodic Transcription of Flamenco Singing. Fourth Conference on Interdisciplinary Musicology (CIM08), Thessaloniki, Greece, July 2008.
  • Cabrera, J.J., Díaz-Bañez, J.M., Escobar-Borrego, F.J., Gómez, E., Mora, J. (2008). Comparative Melodic Analysis of A Cappella Flamenco Cantes. Fourth Conference on Interdisciplinary Musicology (CIM08), Thessaloniki, Greece, July 2008.
  • Merchán, F. Expressive Characterization of Flamenco Singing, Master Thesis, DTIC, Universitat Pompeu Fabra, 2008.